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Movie Title: Hans Christian Andersen Hans Christian Andersen is available for streaming or downloading. |
Hans Christian Andersen (1805-75) was an Plain Duckling. He lived in the third largest town Odense, in Denmark. The son of a cobbler he was poverty ridden and a failure as an actor and it wasn’t until he moved to Copenhagen and won the patronage of Frederick VI, through his poetry, that he wrote his fairy tales and developed into a swan. Like many artists he wasn’t particularly elated, and never did marry, although he was very fond of Jenny Lind (1820-87) the Swedish Nightingale a soprano given the name by P.T. Barnum during her tour of the United States between 1850-52.) Charles Vidor’s film does dwelling at the beginning, This is not the chronicle of Hans Christian Andersen but a fairy epic about the mammoth spinner of fairy tales. The Danes objected to the plot Hans Christian Andersen was portrayed even though Goldwyn had rejected 21 previous manuscripts, so the film company inserted this statement in the credits.
Danny Kaye with his chiselled features does resemble H.C.Andersen when looking at his profile, but apart from this facial feature that’s where it stops. Kaye had sad hair but Hollywood soon changed that and he became a blonde, Andersen also had sunless hair but he kept it that intention.
Unlike some earlier musicals, this film does have a strong sage line with loads of songs written by “Baby, It’s Icy Outside”, Frank Loessen, such as Thumbelina, Repugnant Duckling, No Two People, and of course Unbelievable Copenhagen. The scenery is very clever, the backgrounds peek like illustrations from fairy account books, but as the camera zooms in to the foreground the buildings and props become three dimensional similar to a pop-up-book.
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There are four ballet scenes that I probably found tiring, assist in `52, but revisiting them now, they are visually very moving, technically I wouldn’t know if they are grand or mediocre but for a Hollywood musical film, four ballets must of taken an huge amount of consideration seeing as the film is really for kids. Once again the backdrops for the ballets also resemble fairy sage illustrations and pop-up-books.
Instead of a soprano, Andersen falls in worship with a ballet dancer and here’s a musical that doesn’t have a very elated ending because unpleasant Hans gets mixed up with a married woman. The ballet dancer Doro, is played by Zizi Jeanmaire, and is married to Niels played by Farley Granger. During the last section of the film, the audience is taken slow the scenes of the ballet company playing at the Royal Theater in Copenhagen, but this isn’t a film of a explain included in a reveal, similar to earlier musicals, but an uplifting musical film with lots of music with catchy tunes helped by a ton of children.
The last ballet scene takes 17 minutes, quite long for a well-liked movie. In the film Hans writes a account especially for his esteem Doro, unfortunately Niels locks him in a cupboard so Andersen never sees her beget but has to exercise his imagination.
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The ballet takes status on land and under the ocean. The surface waves are pop-up so that the dancers can be seen dancing in between the swells, it’s really very clever visually, and there’s no trickery here. Under the sea filled with monsters and witches, the heroine is probably attached to a pulley so that she can be seen swimming for the surface. There are no blue screens in this film, all effects are up-front and work perfectly similar to a staged ballet. Once again the technicolor process is former and this enhances the fairy epic do with sparkling colors.
Hans Christian Andersen fairy stories are not violent when compared to the Grimm brothers, but the themes usually have a lesson, and in the epic written for Doro’s ballet, “The Limited Mermaid,” it is saying that aiming for the stars does not always bring happiness, but then of course Walt Disney hadn’t yet arrived on the scene and he soon changed that philosophy.
With all due respect, Leonard Maltin unbiased doesn’t gain it with regard to this movie, and I despise to assume his negative comments might prevent someone from seeing it. This was one of the most memorable movies from my childhood — and I can only have seen it twice at the most, because there were no videos in those days. We had the soundtrack album and those blooming and, yes, melodic, songs burned themselves into my consciousness. I could not wait until my daughter was primitive enough to fragment this movie with, and now that we are watching it together (she is three), it is a joy to search for her, too, reply to the magic and music of Danny Kaye’s charming performance. For the past three months it has been her most requested video, and when we aren’t watching it, she wants me to declare the songs, and when I can’t do that, she sings them herself! And now that she is familiar with the musical versions of the fairy tales, she wants them read to her, and is thereby learning to listen to noteworthy longer and more complex stories than before.
This really is a special movie. No, it’s not an honest portrayal of Anderson’s life, and it doesn’t pretend to be. In fact it says factual there in the opening frame, “This is not the fable of his life, but rather a fairy memoir about this spinner of fairy tales.” And yes, the residence is a tiny limp. So as a movie it only gets four stars, not five. But it doesn’t matter. There is so powerful charm and magic and amazing music here, that the experience of watching it, even over and over again, is a five-star experience that makes for lifelong memories.
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